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Bold, innovative and sculptural: furniture designer Brodie Neill has forged a strong signature aesthetic born of a true understanding of materials and the advances in digital design and technology.
Brodie is fascinated with organic forms that have a continuous line and shape; the look is sinuous, elegant and modern. It’s something that cannot be achieved by hand alone but requires sophisticated digital tools and techniques so with Brodie’s designs, not only are the production processes shaped to fit the vision of the pieces but working with such advanced technologies also allows the process to drive the idea itself.
Australian-born, Brodie Neill honed his designer-maker skills at the University of Tasmania, followed by a Masters at the Rhode Island School of Design, where he harnessed the potential of computer-aided design. Brodie Neill entered the international design scene at Milan’s Salone del Mobile in 2005; later that same year he established a studio in London's East End, applying his signature fluid design to a range of objects.
His prolific studio produces designs in a variety of scale and scope, from production pieces for international brands such as Kundalini and Riva 1920 to high-profile one-off projects for global brands such as Swarovski Crystal Palace, Alexander McQueen and Microsoft. The studio is regularly commissioned to create sculptural projects for public spaces, major international retails developments and prestigious fashion brands as well high-value, collectible edition pieces for galleries and private collectors across the world. Brodie has garnered global industry recognition with Time Magazine selecting his @chair for ‘The Design 100’, a feature on ‘the people and ideas behind today’s most influential design’, as well as being invited to lecture extensively and regularly present at international design fairs.
In 2013, Brodie also founded the award-winning self-produced furniture brand Made in Ratio with the aim of bringing uncompromising ideas to life by embracing experimental and boundary-pushing processes. By utilising digital design, working alongside some of the finest craftspeople in Europe and championing time-honoured materials, Made in Ratio’s products are imbued with Brodie’s spirit of innovation.
In 2016, Brodie Neill represented Australia at the inaugural London Design Biennale at Somerset House with a critically acclaimed installation Plastic Effects, where he launched his now iconic Gyro table.
Elle Decor Italia, July 2017
British Airways First, May 2017
Pagina99, March 2017
Australian Financial Review, November 2016
Elle Decoration, November 2016
Domus, October 2016
Interior Beauté, October 2016
I home Magazine, October 2016
WU Magazine, October 2016
Architectural Digest, October 2016
Vogue Living, September 2016
Folha de Sao Paulo, September 2016
Corriere della Sera, September 2016
Fast Company, September 2016
Azure, September 2016
Dezeen, September 2016
Alumni, University of Tasmania, September 2016
Label Magazine, March 2016
AFR Magazine Design Issue, November 2015
Inside Magazine, September 2015
The Studio Magazine, June 2015
INDESIGN, Australia, July 2014
Metropolitan Magazine, USA, May 2014
On Office, UK, May 2014
Port, UK, Spring 2014
Hinge, Hong Kong, April 2014
Qantas, Australia, April 2014
Financial Times, UK, September 2013
Vogue Living, Australia, July-August 2013
ICON, UK, December 2013
Interni Kingsize, Italy, April 2013
Interni, Italy, April 2013
Australia Design Review, September 2012
Belle, Australia, August-September 2012
Mix Magazine, UK, May 2012
Home Magazine, Belgium, December 2011
Interni, Italy, January 2011
Qantas, Australia, January 2011
Lux Magazine, UK, 2011
Oryx, Qatar, December 2009
Design Week, UK, April 2009
Stimuli Magazine, UK, 2008
Azure, Canada, October 2008
TIME, USA, Summer 2008
Living Roome, Italy, February 2008
Artravel, France, December 2005
Art of Flying, Assouline, 2012
Chairs, Goodman Fiell, 2012
The Design Book, Laurence King, 2013
Design Now!, Taschen, 2007
Drop in the Ocean by Brodie Neill